Hence, the foreign guitar manufacturers gave us what we wanted. Here I’ve highlights a few of my 60’s guitars, but it only scratches the surface. ” It took me a while, but now I see his point of view.
You’ll see the inspiration for launching Eastwood Guitars in these images below. I took it to the local luthier and asked him to refinish it, to remove the awful sticker. A couple of Fender Duo-Sonics, which were the inspiration for the Warren Ellis Tenor Series.
The Galanti, on the other hand, is quite a rare bird. I found it in a shop in San Diego but they were asking around 00 for it. Next to that are a couple of Norma’s and another attempt at copying the Burns pickguard. Next to that is a Hi-Lo (also available from Ibanez). Below: As you can see, we got our walls painted the other day, hope you like it! This baby looks, feels, plays like no other Bass from its time.
For most North American kids, including myself, their first guitar was an EKO or some Japanese import. these were all too expensive for our parents to buy for us.
Below: One last Teisco, a Mosrite Joe Maphis copy, which was also the inspiration for the Eastwood Sidejack Series. I must say that this is perhaps one of the coolest guitars I have. Below: A few more Guyatones, the second one has a set neck, may be from the late fifties. Another 2015 Eastwood Custom Shop project was the Guyatone LG-50. Below: Another of my favorite designs, the EKO 700, in two models, 4V and 3V. According to my neighbor, one of the best playing guitars in the entire collection, the single pickup 1967 Red Cobra. Below: According to me, one of the best playing guitars in the collection, the Goya Rangemaster. As is the beautiful Red Galanti and the Espana 335. The GL Rangemaster is another outstanding Italian guitar. Then, the ever-popular but VERY hard to find 1967 Teisco May Queen.
Then, a couple of Italian masterpieces: The Cobra is one of a dozen or so NOS guitars that I picked up when the Milwaukee connection flushed their last holdings. Below: Far left is a guitar I lust after, but have never owned. Eastwood makes an excellent Phase IV replica that is far better than the original. Next to that is a “Montclair” Burns copy, just like the Hi-Lo pictured earlier. Lastly is a token Airline Bass with a white Gumby headstock. (You can find a nice May Queen re-issue on the 1990 page and another recent Eastwood Custom Shop model here). The timeless Teisco ET460 Del Ray and a simple Sekova Bison.
The amp is good for about 17 watts per side (stereo) or 35 watts mono. There are two stereo input jacks and two mono inputs jacks.
There are three stacked pots each with concentric knobs for volume, treble and bass.